I wear it with a mauve/black/grey tweed jacket and dark grey pants, or with a grey collarless jacket with matching grey pants. Both combo’s are a bit color blocky and need jewelry or scarves to liven them up. When I found this quirky silk print of magnifying glasses in the same color way, I couldn’t resist.
Unfortunately I only purchased 2 yards instead of the typical 2.5 yards for a blouse. I have no clue why I did that though I suspect it was because I must have been trying to balance the guilt of buying more fabric, with finding fabric I just had to have. I was barely able to eke out all the pieces of BWOF 10-2005-102, a fitted blouse with French darts, hidden button placket, and tie neckline.
In hindsight, the drapey silk fabric was probably not the best choice for this style. Both versions of the blouse in the magazine were made in a shirting fabric. The long dart with slightly bias cut edges is better suited for firmer fabric.The front hidden placket, with its many precise folds, was a bit of a chore because of the soft, shifty nature of the silk fabric. I was getting quite frustrated until I decided to liberally apply spray starch to the front bodice pieces. This stiffened the fabric just enough to make the folding, pressing, and top stitching a breeze. I machine wash all my silk blouse fabrics prior to cutting so the finished garment is washable. I rinsed the starch out after finishing the blouse. I used silk organza as interfacing in front placket and cuffs. I am happy with the way the blouse looks with both jackets.
Unfortunately I only purchased 2 yards instead of the typical 2.5 yards for a blouse. I have no clue why I did that though I suspect it was because I must have been trying to balance the guilt of buying more fabric, with finding fabric I just had to have. I was barely able to eke out all the pieces of BWOF 10-2005-102, a fitted blouse with French darts, hidden button placket, and tie neckline.
In hindsight, the drapey silk fabric was probably not the best choice for this style. Both versions of the blouse in the magazine were made in a shirting fabric. The long dart with slightly bias cut edges is better suited for firmer fabric.The front hidden placket, with its many precise folds, was a bit of a chore because of the soft, shifty nature of the silk fabric. I was getting quite frustrated until I decided to liberally apply spray starch to the front bodice pieces. This stiffened the fabric just enough to make the folding, pressing, and top stitching a breeze. I machine wash all my silk blouse fabrics prior to cutting so the finished garment is washable. I rinsed the starch out after finishing the blouse. I used silk organza as interfacing in front placket and cuffs. I am happy with the way the blouse looks with both jackets.
