Earning My Stripes

Thanks for your suggestions on how to get past the distraction of too many potential new projects. I liked Valerie’s the best. “I think you should take a month or more off from work and get them all done!” Sigh, I wish! What I actually did was promise myself one of the new projects when my jackets were complete. Then I made a list of the sewing tasks remaining to be done on the jackets. Once they were written down, they weren’t so overwhelming and I finished them.

Why was I making two jackets at once? I recently lost two pieces of one of my older SWAP wardrobes. A pair of pants ended up miniaturized because of a poor laundry decision and a jacket had to be thrown away because the trim, made of faux leather, started to deteriorate and flake off the knit fabric backing. I replaced the pants using a TNT BurdaStyle pants pattern.

The fabric I wanted to use to replace the SWAP jacket was maroon wool with faint tan, pink and dark maroon stripes. So I was looking for a jacket pattern that could be made of a striped fabric. During my holiday break, the Jan 2011 issue of Burda Style arrived. The picture of Jacket #127 showed a high hip length, fitted jacket in a solid color. Closer study of the drawing of the pattern pieces revealed that it had a back peplum that was an extension (cut on) of the jacket front.

If the front of the jacket was cut out of a vertical striped fabric, the stripes in the curved peplum would be on the diagonal and they would chevron at the center back seam. I love details like that. Also the vertical dart on the jacket front has one leg parallel to the grain line /stripes and one at a slight angle. When the dart is sewn, the stripes to the outside of the dart would angle slightly up and outward. A nice look.
I have noticed that BurdaStyle often shows striped or plaid fabric in tops with the waist bust dart. I assume this is because this type of dart does not cause the eye jarring distortion of stripes and plaids like a side bust dart would.

There was another piece of striped fabric lying on top of my fabric heap that I also thought would work well with this pattern. In a burst of energy, I decided to cut two jackets using the same pattern, vaguely remembering this recommendation in a sewing book of "Time saving Techniques and Shortcuts for Busy Sewers". It said use fabrics that can be sewn with the same color thread, double the interfacing and lining so you cut the pieces for both jackets at the same time. Sew the jackets simultaneously repeating each step for both, with the real time savings coming from not having to read the directions or think through the construction steps on the second jacket. I reread the book after making the jackets and discovered there was a line I had forgotten. The author goes on to say "It seems a little tedious while sewing, but I always remind myself that in the end I will have two new jackets" Tedious is too nice a word to describe sewing multiple lapel collars, and setting in 8 sleeves, 4 in the garments, and 4 in the linings. And because stripes require careful layout and cutting, I think all the theoretical time efficiency was lost.

Both jacket fabrics were uneven stripes. An uneven or unbalanced stripe repeats the stripe pattern in only one direction on the fabric. An even or balanced stripe repeats the same pattern on both the right and left of the dominant stripe.


For a garment made from a vertical uneven stripe, you can choose to have the stripe repeat around the garment or be a mirror image on each side of the garment. For a repeat, cut the pattern pieces using the with nap layout which is with the fabric folded double with selvedges together, all garment pieces oriented top to bottom on the fabric.

For a mirror image, it is recommended that pattern pieces be cut out of a single layer of fabric. And the left side pattern pieces be in the opposite lengthwise direction as the right side pieces. Uneven lengthwise stripes will chevron only if mirror imaged at the seam.
Rather than cut out each pattern piece from a single layer of fabric, I chose to fold my fabric in half horizontally, making sure the stripes on both pieces were exactly aligned, and cut out each piece double. It achieves the same result.


The wool jacket has subtle stripes. The only one easily seen by the eye is the pink one and it repeats evenly across the fabric. So I used the with nap layout. The jacket works well with my old SWAP blouses.


The second jacket was made out of a 1.3 yard remnant of 54” cotton lycra green and burgundy stripe. I had to use every layout trick I knew of to get the jacket out of the available fabric. All seam allowances are 3/8 inch. The sleeves are ¾ lengths. And the upper collar and front facings below the roll line are pieced together from scraps.


Some of the stripe matching that a perfectionist would do was not possible because of limited fabric. The stripes at the shoulder seams and at lapel collar lines are not matched. I just went for symmetry of stripes on both sides of the jacket. This jacket is more casual and will be worn in warmer weather, if it ever gets here.



Even though my spring Vogue patterns have arrived, I will probably do a couple more winter sewing projects. The cold and dreary weather makes me want to sew warm fuzzy wools and flannel.