1. Choose a blouse pattern with an inset neck band/front placket
2. Pick a fabric that can be challenging to work with - example: silk charmeuse
3. Add piping around the neck band
4. Hand dye the fabric for the piping
5. Hand baste the piping in place before final machine sewing
6. Redo piping several times
7. Make your own buttons out of polymer clay
8. Put the placket button holes on 45 degree angles so that button looks like the print,
I loved this Andrew Gn polka dotted blouse with piped trim. Notice how the big buttons on the skirt echo the polka dots. So cool.
I found this dark brown silk printed with cream flower petals that reminded of me of polka dots, well abstract polka dots. 
This fabric is everywhere. I bought mine at Hancock’s. It was available at www.Fabricmartfabrics.com at about the same time and is still available at Vogue Fabrics and FashionFabricClub/DenverFabrics. I would love to learn more about the supply chain for fabric. Why are some so hard to get, and others show up everywhere, like this one. I thought this Burda blouse was similar to the inspiration blouse. 
The fabric used to cover the piping is silk/cotton sateen I found at my local quilting store, of all places. It was bright white. To make it more cream colored, I tea dyed it. A long time tea drinker, I know from personal spills and splatters, just what color the stains are; the perfect light brown tinted color I needed. The grocery store brand of tea, made especially for iced tea or drip coffee makers (cheap, black and strong) worked just great. Five minutes swirling the piece of fabric around in a pot of hot, regular strength tea, yielded the perfect color.
The filler for the piping was rayon rat tail cord. Normally I am a “machine sew everything” person, but I always hand baste piping to a garment for control and careful placement. The neck band has 90 degree inside corners and outside corners. After I had machine stitched the piping in place, I was very dissatisfied with the look on the piping on the inside corner.
I remembered a picture of piping on a similar corner, applied using a overlapping technique, from a 2005 Threads magazine article called “Perfect Piping” by Susan Kahlje. There were no instructions, but the picture was clear enough for me to figure it how to do it on my own.
Button sources in my town are limited. Many years ago someone gave a presentation at our ASG Fashion Focus neighborhood group on making buttons from polymer clay (like Fimo or Sculpey brands). I loved the idea. A Google of "polymer clay buttons" will bring up numerous web sites with pictures and instructions if you are interested. With a dollar for a package of clay, and a half hour for forming and baking, you can have machine washable buttons in any size, color or shape you want. I made flat oval buttons, with shapes similar to the larger petals in the print. I used a canapé cutter to cut the oval out of flattened clay, and a corn handle to make the holes for the thread. I don’t know how familiar folks are with corn handles, especially if they don’t eat sweet corn right off the cob. They are little pronged handles you stick in the end of a cooked ear of sweet corn to make the eating a tad neater. They keep the butter and salt off your fingers, but it still gets on your face.
I wanted the buttons to look scattered like the ovals in the print. To accomplish this I put the button holes on 45 degree angles, alternating the direction of each one.
I chose this pattern because the neck band was like the one on the inspiration blouse, but I was concerned about the front gathers, which are below the bust. They put lots of fabric in the waist area and not in the bust where I would have expected it. I thought about moving the gathers up to the bust when I sewed the front to the placket, but didn’t. I wish I had, and will probably do it in the near future, when I am in the mood for careful seam ripping. The placket buckles when there is any movement that pulls the fabric over the bust. After I get it fixed, I plan to wear the blouse tucked into a skirt under a jacket, not as an over blouse.
This fabric is everywhere. I bought mine at Hancock’s. It was available at www.Fabricmartfabrics.com at about the same time and is still available at Vogue Fabrics and FashionFabricClub/DenverFabrics. I would love to learn more about the supply chain for fabric. Why are some so hard to get, and others show up everywhere, like this one. I thought this Burda blouse was similar to the inspiration blouse. 
The fabric used to cover the piping is silk/cotton sateen I found at my local quilting store, of all places. It was bright white. To make it more cream colored, I tea dyed it. A long time tea drinker, I know from personal spills and splatters, just what color the stains are; the perfect light brown tinted color I needed. The grocery store brand of tea, made especially for iced tea or drip coffee makers (cheap, black and strong) worked just great. Five minutes swirling the piece of fabric around in a pot of hot, regular strength tea, yielded the perfect color.
The filler for the piping was rayon rat tail cord. Normally I am a “machine sew everything” person, but I always hand baste piping to a garment for control and careful placement. The neck band has 90 degree inside corners and outside corners. After I had machine stitched the piping in place, I was very dissatisfied with the look on the piping on the inside corner.
I remembered a picture of piping on a similar corner, applied using a overlapping technique, from a 2005 Threads magazine article called “Perfect Piping” by Susan Kahlje. There were no instructions, but the picture was clear enough for me to figure it how to do it on my own.Button sources in my town are limited. Many years ago someone gave a presentation at our ASG Fashion Focus neighborhood group on making buttons from polymer clay (like Fimo or Sculpey brands). I loved the idea. A Google of "polymer clay buttons" will bring up numerous web sites with pictures and instructions if you are interested. With a dollar for a package of clay, and a half hour for forming and baking, you can have machine washable buttons in any size, color or shape you want. I made flat oval buttons, with shapes similar to the larger petals in the print. I used a canapé cutter to cut the oval out of flattened clay, and a corn handle to make the holes for the thread. I don’t know how familiar folks are with corn handles, especially if they don’t eat sweet corn right off the cob. They are little pronged handles you stick in the end of a cooked ear of sweet corn to make the eating a tad neater. They keep the butter and salt off your fingers, but it still gets on your face.
I wanted the buttons to look scattered like the ovals in the print. To accomplish this I put the button holes on 45 degree angles, alternating the direction of each one.
I chose this pattern because the neck band was like the one on the inspiration blouse, but I was concerned about the front gathers, which are below the bust. They put lots of fabric in the waist area and not in the bust where I would have expected it. I thought about moving the gathers up to the bust when I sewed the front to the placket, but didn’t. I wish I had, and will probably do it in the near future, when I am in the mood for careful seam ripping. The placket buckles when there is any movement that pulls the fabric over the bust. After I get it fixed, I plan to wear the blouse tucked into a skirt under a jacket, not as an over blouse.
